Category: Performance Events ¤ Author: Shirley Chong ¤ Title: Eliminating Body Cues ¤ Carmel Rickard is bending and swaying as gracefully as a ballerina while she's trying to do obedience. Often the most successful "remedy" for inadvertant body language cues is to teach the dog what IS a cue and what isn't one. Show the dog enough different varieties of body language that the dog learns to GENERALIZE that anything but the one command isn't significant. Carmel, since you are testing in just two weeks, I'd say don't do any elaborate fixing. But when you are ready to start fixing, this is what I'd do. I'd have her sitting front and I'd sway back and forth in slow motion. Click just BEFORE she moves--try to hit that moment of doubt when she's asking herself "is that the cue?" Work on it until you can sway with a sharp, jerky motion and she just smiles, saying to herself "you can't fool ME, Mom!" Then try out nodding your head up and down--start with a slow motion nod and click just before she moves. Work up until you can do a really fast nod. Then try out a one shoulder wiggle (moving one shoulder up and down)--again, start slow and work up to a fast jerky motion. Incorporate facial expressions--smiles, frowns, eyebrow wiggles, eyes darting back and forth, etc. Incorporate breathing--sudden gasps, sudden intakes of breath, taking a deeeeep breath, etc. Keep in mind to start slow and small and work up to big, fast, and especially jerky. The reason to start slow is that if you move unnaturally slowly, she is more likely to take her lead from you and she will tend to move slowly herself (gives you more chance to click). I learned this with the Tiny Tervuren Terror (Chamois)--she's very very fast and I had to figure out how to slow her down to the point I could click her. I've tried it on other dogs since then and have discovered that most dogs will slow down at least a little if the handler is moving elaborately slowly. I think the above is something that people tend to neglect in training for competition. In heeling, for instance, you can polish your cues down to practically nothing in practice--down to the point where onlookers have no idea what your cues are. Fading the cues is seductive--once you start, it's hard to stop. However, it is possible to fade a cue to the point where it's below the body language "noise" that happens when you're nervous--like in the trial ring! And if you forget to couple fading cues with showing the dog all the body language that ISN'T a cue, you're in trouble in the ring. If a dog is normally a self-confident and outgoing sort, being in the ring is not inherently a frightening situation. Even if the dog IS the fearful type, being in the ring isn't necessarily frightening-- the Belgian Princess does NOT like to be touched by stranger but she thoroughly approves of the concept of being the centre of attention and she really shines in a ring situation. Good thing, too, since her mother is a nervous wreck in the ring and makes terrible mistakes! Yet many (otherwise friendly) dogs seem nervous in the ring and it's often thought that the dog is reacting to the handler's nerves--hence, the solution is for the handler not to feel nervous. Well, easier said than done! In fact, for me, it's easier for me to teach my dogs that all of my nervous body language means nothing than it is for me to learn to relax in the trial ring. And if the dog understands that the body language isn't important... and if the dog understands the task... why would the dog act nervous? M. Shirley Chong The Well Mannered Dog